Tuning-specific arpeggio diagram

A Minor-Major 7 Arpeggio in Open G Tuning

A Minor-Major 7 Arpeggio in Open G Tuning shows the same a minor-major 7 arpeggio chord tones across 6 strings tuned D G D G B D. The tuning changes where the same chord tones sit across the fretboard.

Chord tones: A, C, E, G#
Formula: 1 b3 5 7
Semitones: 0 3 7 11
Chord symbols: AmMaj7, AmM7
Tuning: D G D G B D
Strings: 6
Open pitch range: D2 to D4
24-fret range: D2 to D6

Open strings and root positions

None of the 6 open strings belongs to A Minor-Major 7 Arpeggio. Every arpeggio tone must therefore be fretted, beginning with the first available tone on the low D string.

First root on each string

String 6Fret 7

String 5Fret 2

String 4Fret 7

String 3Fret 2

String 2Fret 10

String 1Fret 7

Low-string pattern

On the lowest D string, the first-octave arpeggio pattern falls at frets 2, 6, 7, and 10, with the A root at fret 7. On the highest D string, the first A is at fret 7.

Fret 2E5

Fret 6G#7

Fret 7A1

Fret 10Cb3

Practice this tuning-specific layout

Play A Minor-Major 7 Arpeggio on the low D string at frets 2, 6, 7, and 10, saying each note name and degree aloud.
Play the arpeggio without using an open string, then stop on the nearest A root each time the line changes strings.
Connect the A root positions on strings 6 through 1 at frets 7, 2, 7, 2, 10, and 7, adding the nearest arpeggio tone between each pair of roots.