Tuning-specific arpeggio diagram

D Minor-Major 7 Arpeggio in Drop C# Tuning

D Minor-Major 7 Arpeggio in Drop C# Tuning shows the same d minor-major 7 arpeggio chord tones across 6 strings tuned C# G# C# F# A# D#. The tuning changes where the same chord tones sit across the fretboard.

Chord tones: D, F, A, C#
Formula: 1 b3 5 7
Semitones: 0 3 7 11
Chord symbols: DmMaj7, DmM7
Tuning: C# G# C# F# A# D#
Strings: 6
Open pitch range: C#2 to D#4
24-fret range: C#2 to D#6

Open strings and root positions

2 of the 6 open strings belong to D Minor-Major 7 Arpeggio: string 6 C# (7) and string 4 C# (7). None of those open-string tones is the D root, so the root must be fretted on every string.

String 6C#7

String 4C#7

First root on each string

String 6Fret 1

String 5Fret 6

String 4Fret 1

String 3Fret 8

String 2Fret 4

String 1Fret 11

Low-string pattern

On the lowest C# string, the first-octave arpeggio pattern falls at frets 0, 1, 4, and 8, with the D root at fret 1. On the highest D# string, the first D is at fret 11.

OpenC#7

Fret 1D1

Fret 4Fb3

Fret 8A5

Practice this tuning-specific layout

Play D Minor-Major 7 Arpeggio on the low C# string at frets 0, 1, 4, and 8, saying each note name and degree aloud.
Build a phrase that lets C# on open string 6 ring, then connect it to the nearest D root and two other arpeggio tones.
Connect the D root positions on strings 6 through 1 at frets 1, 6, 1, 8, 4, and 11, adding the nearest arpeggio tone between each pair of roots.