Tuning-specific arpeggio diagram

F Minor-Major 7 Arpeggio in Open G Tuning

F Minor-Major 7 Arpeggio in Open G Tuning shows the same f minor-major 7 arpeggio chord tones across 6 strings tuned D G D G B D. The tuning changes where the same chord tones sit across the fretboard.

Chord tones: F, Ab, C, E
Formula: 1 b3 5 7
Semitones: 0 3 7 11
Chord symbols: FmMaj7, FmM7
Tuning: D G D G B D
Strings: 6
Open pitch range: D2 to D4
24-fret range: D2 to D6

Open strings and root positions

None of the 6 open strings belongs to F Minor-Major 7 Arpeggio. Every arpeggio tone must therefore be fretted, beginning with the first available tone on the low D string.

First root on each string

String 6Fret 3

String 5Fret 10

String 4Fret 3

String 3Fret 10

String 2Fret 6

String 1Fret 3

Low-string pattern

On the lowest D string, the first-octave arpeggio pattern falls at frets 2, 3, 6, and 10, with the F root at fret 3. On the highest D string, the first F is at fret 3.

Fret 2E7

Fret 3F1

Fret 6Abb3

Fret 10C5

Practice this tuning-specific layout

Play F Minor-Major 7 Arpeggio on the low D string at frets 2, 3, 6, and 10, saying each note name and degree aloud.
Play the arpeggio without using an open string, then stop on the nearest F root each time the line changes strings.
Connect the F root positions on strings 6 through 1 at frets 3, 10, 3, 10, 6, and 3, adding the nearest arpeggio tone between each pair of roots.