Tuning-specific scale diagram

B Mixolydian Scale in Drop C# Tuning

B Mixolydian Scale in Drop C# Tuning shows the same b mixolydian scale pitch classes across 6 strings tuned C# G# C# F# A# D#. The tuning changes where the same pitch classes sit across the fretboard.

Scale notes: B, C#, D#, E, F#, G#, A
Formula: 1 2 3 4 5 6 b7
Semitones: 0 2 4 5 7 9 10
Parent scale: E major
Tuning: C# G# C# F# A# D#
Strings: 6
Open pitch range: C#2 to D#4
24-fret range: C#2 to D#6

Open strings and root positions

5 of the 6 open strings belong to B Mixolydian Scale: string 6 C# (2), string 5 G# (6), string 4 C# (2), string 3 F# (5), and string 1 D# (3). None of those open-string tones is the B root, so the root must be fretted on every string.

String 6C#2

String 5G#6

String 4C#2

String 3F#5

String 1D#3

First root on each string

String 6Fret 10

String 5Fret 3

String 4Fret 10

String 3Fret 5

String 2Fret 1

String 1Fret 8

Low-string pattern

On the lowest C# string, the first-octave scale pattern falls at frets 0, 2, 3, 5, 7, 8, and 10, with the B root at fret 10. On the highest D# string, the first B is at fret 8.

OpenC#2

Fret 2D#3

Fret 3E4

Fret 5F#5

Fret 7G#6

Fret 8Ab7

Fret 10B1

Practice this tuning-specific layout

Play B Mixolydian Scale on the low C# string at frets 0, 2, 3, 5, 7, 8, and 10, saying each note name and degree aloud.
Build a phrase that lets C# on open string 6 ring, then connect it to the nearest B root and two other scale tones.
Connect the B root positions on strings 6 through 1 at frets 10, 3, 10, 5, 1, and 8, adding the nearest scale tone between each pair of roots.